![]() ![]() Yip handled production duties and engineered the sessions, with assistance from Colin Gorman. Recording took place at Yip's studio, Studio 4, in Conshohocken, Pennsylvania. While working in pre-production, Yip was as thrilled with the new material as the group was. In August 2014, it was announced that the band would be working with producer Will Yip. Bassist Danny Dempsey considered the song their "first step at walking away" from the style of their first album, Magnolia (2013). Turnover's contribution was the song "I Would Hate You If I Could". ![]() In March, a four-way split EP was released featuring Turnover, Such Gold, Maker and Ivy League, TX. Danny Randon of Upset wrote that Soucy had a "major influence" on the band's composing process. Guitarist Eric Soucy joined Turnover in 2014. They felt ready to move the band into a more part-time project if significant steps forward were not made in their sound and performance. By that time, the group-composed of vocalist/guitarist Austin Getz, drummer Casey Getz, bassist Danny Dempsey and guitarist Kyle Kojan-had been touring consistently for several years. Turnover formed in Virginia Beach, Virginia in 2009 and released their debut album, Magnolia, in 2013. ![]() Peripheral Vision peaked on at number four on Billboard 's Heatseekers Albums chart, and critical reviews were largely positive, focusing on its stylistic progression. The album finds the band shifting from their pop punk origins to a more atmospheric, dream pop-type sound. It was recorded at his studio, Studio 4, in Conshohocken, Pennsylvania. For Peripheral Vision, Turnover returned to producer Will Yip, who shares songwriting credits on the entire album. Following the release of their debut album Magnolia (2013), Turnover parted ways with original guitarist Kyle Kojan, replacing him with Eric Soucy. Produced by Will Yip, the album was released on through Run for Cover Records. The hooks might need more massaging to emerge this time out, but the twist on “Breeze” reveals that Turnover are still the same band, talking about how to quantify success, how we get in the way of our own happiness, and of course, the way romantic fortunes can make the future seem as vast as the California coastline or as small as the room in your parent’s house.Peripheral Vision is the second studio album by American rock band Turnover. ![]() And then there’s the last line that ties it all together, “Let you keep eating my heart out with your silver spoon,” which could very well be an admission of defeat from a guy who’s way out of his league. Catch a few stray lines from the chorus-“I can’t stop you running through my head,” “it just makes me wanna go away, I’ll do it”-and it captures a perfect moment of dizzying infatuation between Bleed American’s summer swelter and the back-to-school wistfulness of American Football. Well, for one, none of their indie peers could write a song like “Breeze.” Taking advantage of Will Yip’s most verdant production, Turnover revisit the rhythmic propulsion and harmonized guitar sparkles that defined Peripheral Vision. So what exactly distinguishes Turnover now? But the perfectly lovely and interchangeable shimmers of “What Got in the Way” and “Curiosity” threaten to define Good Nature by passing without incident or much impact. Therein lies the conundrum for Turnover: though Peripheral Vision likely broadened the horizons of people who caught them opening for The Story So Far or New Found Glory, it was also uniquely appealing to seasoned indie rock listeners who found Real Estate a little too complacent or wished Wild Nothing could really kick out the jams. With its limpid jazz chords, “Pure Devotion” is the first Turnover song that could work at a poolside cocktail party. The influences are more sedate and smooth this time out, Getz’s softened take on life accompanied by Tango in the Night harmonizing and brisk Brit-pop. But there are zero moments on Good Nature that have to be enjoyed through gritted teeth, and plenty that can be paired with your favorite Sonoma Valley grape. The flaws of Peripheral Vision derived almost entirely from the times Getz’s aggrieved point of view clashed with the newfound, sleek elegance of Turnover’s music. “I found my religion/When nothing was ahead of us/That week in California,” Getz sighs on the starlit carousel ride “Super Natural.” It’s an extremely low-key way to begin an album, but it’s still a bold introduction if only in contrast to where he was two years ago with Peripheral Vision’s thrilling streaks of self-loathing, “Cutting My Fingers Off” and “New Scream.” Regardless of his current location, Good Nature is SoCal to the core, a warm embrace of the area’s soft-focus spirituality and the optimism of young, beautiful creatives without much to worry about. ![]()
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